Curatorial Projects and Critical Writing

2019 – “Ghostmeat,” Christine Lucy Latimer, Media Archeologist, ed. Mike Hoolboom, Canadian Film Institute

2019 – Composthumanism, curated screening and essay, Pleasure Dome/ U of T, Toronto

2017 – Rolling Through: Recollecting WAIV, conference presentation during Isolated Landscapes exhibition, Video Pool, Winnipeg

2010 – Dangerous Headbands: New Wave Videos From the Vault, for the Winnipeg Art Gallery

2004 – Art Maps of Winnipeg, contributing editor, Paperwait, Ace Art Gallery

2000-2010 – Various essays and reviews for Plug In ICA, Border Crossings, Poolside, Ace Art Critical Distance Publication

Publications and Reviews

2021 – Everything is Permitted; Nothing is Possible: Desire and Labour Under Late Capitalism, curatorial essay by Madeline Bogoch

Tomorrow, Today featured in SeedZine, Climate Justice Montreal online publication

2017 – Big Affect: The Ephemeral Archive of Second-Wave Feminist Video Collectives in Canada, by Marusya Bociurkiw, Camera Obscura Film Journal

Isolated Landscapes reveals decades of women’s video work on the Prairies, by Teghan Beaudette, CBC

2013 – Security, Territory, Population: Hope Peterson’s The Night is a Moat, by Tom Kohut, The New Ennui

2012 – Skin, Culture and Psychoanalysis, A. Failler et al, St. FXU Press, NS and Palgrave MacMillan

2012 – 2012 Critic’s Picks: The Night is a Moat at RAW Gallery, Akimblog by Milena Placentile Akimbo

2010 – Canadian Dimension Magazine image commissioned by Free Associates Collective

2009 – English Studies Canada: Narrative Skin Repair by Dr. Angela Failler, University of Winnipeg Press